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More than mere mouthpieces, they are close collaborators, instigators, and creators in their own right.Carrying on this tradition, IIMF presents a program of music commissioned, arranged and composed by some of the greatest cello virtuosi of the last 200 years, in which they combine technical prowess with a deep and intimate knowledge of the essence of their instrument.A gifted teacher, he wrote hundreds of technically demanding pieces to challenge his students.No dry study, his Opus 6 is a Scherzo: a 'joke.' Despite its nightmarish difficulty, it must be delivered with the playful timing of a punchline to come off. He wrote it for a close friend, cellist Robert Hausmann, to whom it is dedicated and by whom it was first performed.Quint is Founder and Music Director of the Inter Harmony® International Music Festival that take place in Sulzbach-Rosenberg, Germany and Acqui Terme, Piedmont, Italy, the Inter Harmony® Concert Series at Weill Recital Hall at Carnegie Hall in New York City, and the Inter Harmony Concert Series in Fort Worth, Texas at The Modern Museum of Art that will premiered in 2018.Quint captured the gold medal in the March 2016 Global Music Awards for his recording, Matryoshka Blues, on the Blue Griffin label in three categories: instrumentalist, album, and new release, and was featured in the top five spring albums in Global Music Awards. Quint, performs with strikingly virtuosic aplomb.
Her "freely atonal" works develop organically towards a pure form of communication.
“[Quint] provides a fresh voice…The Russian school of string playing has taken on a different light with Quint” said Daniel Webster of the Philadelphia Inquirer and “a master of probing sentiment, shaded phrasing, and flawless technique” from Metro West.
Misha Quint has appeared with such celebrated orchestras as the New York Chamber Symphony, Metropolitan Symphony, the London Soloists Chamber Orchestra at Queen Elizabeth Hall, Leningrad Philharmonic Orchestra, Moscow State Symphony Orchestra, Leningrad State Orchestra, Orchestra of Classical and Contemporary Music, National Irish Symphony, the Orquestra Sinfônica do Teatro Nacional do Brasilia and with the Symphony Orchestras of Latvia and Georgia among others.
By experimenting with bravura techniques, Ran produces a wide range of timbres, her abstractions coming in and out of focus, condensing into baroque dances only to dissolve again into formless beauty.
Julius Klengel, though less well-known to the listening public, is a legend among cellists.