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A respected pillar of the community, businessman Peter Dellaplane (Craig T. Only Action knows the truth, and only he can do what’s right, namely kill a bunch of people and wreck half of Detroit in the name of jus¬ tice.
That's the signpost up ahead - your next stop, the Action Zone. Bones snap and bullets fly as single-minded Chicago cop Nico Tbscani (Stevie) hunts a well-connected gang of ruthless CIA assassins on the streets of Chicago, swaggering from one violent confrontation to the next, hampered only by a screenplay which takes itself too seriously, a feeble supporting cast and a director intent on adding depth to a plot which doesn’t deserve the effort.
A grand swashbuckling spectacular with laughs, thrills and a hell of a lot of romance (usually, we don’t go in for this sort of thing, but it’s fun - and instructional - to see Flynn in action), The Adventures of Don Juan follows the dashing one as he returns to Spain, wows the ladies, earns the trust of a Queen (Viveca Lindfors, quite a babe in her day) and battles the evil forces of the dastardly Duke de Lorca (Robert Douglas), a “boo-hiss’ type of villain with designs on the throne.
Assisted by perennial sidekick Alan Hale, Flynn and company engage in brief bursts of lively, light-hearted action throughout, building to a glorious staircase duel as Don and the Duke settle their differences man-to-menace. Director: Vincent Sherman; Producer: Jerry Wald; Screenplay: George Oppenheimer, Harry Kumitz, based on a story by Herbert Dalmas; Production Design: Edward Carrere; Editor: Alan Crossland Jr; Photography: Elwood Bredell; Music: Max Steiner; Cast: Errol Flynn, Viveca Lindfors, Robert Douglas, Alan Hale, Romney Brent, Ann Rutherford, Raymond Burr. Aliens ® The Adventures of Robin Hood USA 1938 102 mins 'jj^ E rrol Flynn has the time of his life robbing from the rich, giving to the poor, romancing fair Maid Marion (Olivia de Havilland) and battling vile Prince John (Claude Rains, the original Invisible Man) while modelling the snuggest green tights in creation (not many people realize that nylon was available in medieval England) in what is undoubt¬ edly the greatest Hollywood swashbuckler of 'em all.
Seagal made his screen debut with this one, stumbling over the acting segments, but cracking skulls with the ruthless efficiency of a martial arts master.
Sorely lacking in the charisma department, Seagal puts on a brave face and delivers attitude a-plenty, a Dirty Harry wannabe with some deadly moves and the shortest of fuses. leaps to North Africa where we meet the victim’s brother, a French Legionnaire named Lyon (Jean-Claude Van Damme, wooden but agile) who promptly busts out of camp, absent with¬ out a brain, and heads for the States to be with his sibling.
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“You guys think you’re above the law’, he hisses, ‘well you ain’t above mine.’ He’s tough, that’s for sure, and extremely Italian. Predictably enough, by the time Lyon makes it to the US his brother is toast, but rather than seek revenge, as any respectable action hero would, Lyon decides that it’s more important to bond with his niece and widowed sister-in-law, and earn enough cash to be able to take them to safety, far away from the city. suffers from a chronic lack of direction and general shortage of imagination, the good news is that no matter where you are in the movie, the next no- holds-barred, one-on-one fight scene is never very far away, but you’d best be prepared for one encounter to look much the same as the next because variety is a spice this film makes do without. Shah, Eric Karson; Screenplay: Sheldon Lettich, Jean-Claude Van Damme, based on a screenplay by S. Warren, story by Jean-Claude Van Damme; Production Design: Gregory Pickrell; Editor: Mark Conte; Photography: Robert C.